2003-2004
This composition is based on live-color and motion tracking. It is a fixed media version of Give Me a Beautiful Color.

Presence and intensity of RGB colors in the screened objects were analyzed and mapped into graphic gestures. In this process, any static or moving visual could be “stripped” into primary colors and their complements.
The soundtrack follows a similar transformation: A set of complex piano sonorities is de-composed into the choir of percussive attacks on silent keys.
Graphics were done in Jitter. Audio was processed in MAX/MSP.

Duration: 6’55